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Rocking Chair in Metal and Acrylic, Unknown,1970’s - Lot 453

$3,000
$3,000

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Ships From: New York, NY

Description

Unlike traditional Brazilian modern chairs, this rocking chair is crafted from metal and acrylic, showcasing a contemporary and innovative design. The curved metal base enables gentle rocking motion, enhancing comfort and relaxation.

The chair's armrests and frame are also constructed from metal, contributing to its sleek and modern aesthetic. What sets this chair apart is its backrest and seat, crafted entirely from acrylic, which lends a distinctive and modern look.

With its unique style and design, this rocking chair would make a striking addition to any home, blending functionality with artistic flair to create a focal point in any space.

Dimensions

Height: 104 cm (41 in)

Width: 57 cm (22.4 in)

Depth: 120 cm (47.2 in)

Sold As

Set of 1

Style

Brazilian Mid Century Modern

Materials and Techniques:

Metal, Tile

Paint on tile

Condition

Acrylic has minor scratches but overall the piece is in good condition.

Place of Origin

Brazil

Date of Manufacture

circa 1920s-1930s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

Unknown

This section focuses on the lesser-known treasures within Brazilian design, which have yet to receive the recognition they deserve from the public. Despite being overshadowed by the iconic designs of Joaquim Tenreiro, Carlo Hauner, Martin Eisler, Jorge Zalszupin and Sergio Rodrigues, these craftsmen and small manufacturers still managed to produce cutting-edge pieces that embodied the "modern values" of form and materiality.

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