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Credenza in Hardwood & Granite, Unknown, c. 1960s - Lot 121

$7,000
$14,000 $7,000
50% off

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Ships From: New York, NY

Description

This exquisite piece is crafted from aged Brazilian rosewood, also known as jacaranda, complemented by granite and rosewood veneer. Featuring four doors, two drawers, and five shelves crafted from hardwood and formica, this versatile piece serves multiple functions as a credenza, bar, or room divider. Finished on both sides, with doors that open from either direction, it boasts a spectacular rosewood veneer sourced from the roots rather than the trunk of the tree. Expertly refinished, the credenza is in excellent condition, retaining its timeless appeal despite the minor marks of age.

Creator

Unknown

Dimensions

Height: 85 cm (33.5 in)

Width: 150 cm (59.1 in)

Depth: 46 cm (18.1 in)

Sold As

Set of 1

Style

Mid-Century Modern (Of the Period)

Materials and Techniques

Brazilian Rosewood (Jacaranda), Granite

Woodwork

Condition

The wood has been refinished and it is now in excellent condition.

Place of Origin

Brazil

Date of Manufacture

Circa 1960s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

Unknown Designer

This section focuses on the lesser-known treasures within Brazilian design, which have yet to receive the recognition they deserve from the public. Despite being overshadowed by the iconic designs of Joaquim Tenreiro, Carlo Hauner, Martin Eisler, Jorge Zalszupin and Sergio Rodrigues, these craftsmen and small manufacturers still managed to produce cutting-edge pieces that embodied the "modern values" of form and materiality.

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