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Armchair in Hardwood & Cane, John Graz, 1950s - Lot 299

$4,500
$9,000 $4,500
50% off

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Ships From: New York, NY

Description

This chair is crafted from Caviuna wood, and features four slender toothpick legs, a backrest with straw caning, and delicately curved armrests that connect to the backrest. The wood has been refinished and repainted, bringing it to excellent condition. Designed in the early fifties, when Brazilian production was still very artisanal and limited in batch sizes, there are only a few of these chairs in existence. This model is one of John Graz's most renowned designs, despite his limited output as a furniture designer. The organic shape of the structure creates a visual illusion of lightness, even though the armchair is quite sturdy. This piece is truly a masterpiece of design.

Creator

John Graz

Dimensions

Height: 75 cm (29.5 in)

Width: 55 cm (21.7 in)

Depth: 53 cm (20.9 in)

Sold As

Set of 1

Style

Mid-Century Modern (Of the Period)

Materials and Techniques

Brazilian Rosewood (Jacaranda), Straw

Condition

The wood has been refinished and it is now in excellent condition

Place of Origin

Brazil

Date of Manufacture

Circa 1950s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

John Graz

This section focuses on the lesser-known treasures within Brazilian design, which have yet to receive the recognition they deserve from the public. Despite being overshadowed by the iconic designs of Joaquim Tenreiro, Carlo Hauner, Martin Eisler, Jorge Zalszupin and Sergio Rodrigues, these craftsmen and small manufacturers still managed to produce cutting-edge pieces that embodied the "modern values" of form and materiality.

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