Brazilian Modern Patchwork Imbuia Chest of Drawers by Cimo, Brazil, 1950s - Lot 958
Couldn't load pickup availability
Questions about this piece?
A striking example of Brazilian Modern design, this rare chest of drawers was produced by Cimo and crafted in richly figured imbuia wood, one of Brazil’s most celebrated hardwoods. Distinguished by its sculptural silhouette, rounded casework, and dramatic patchwork construction, the piece embodies the inventive material experimentation that characterized mid-century Brazilian furniture production.
The chest is defined by its beautifully composed mosaic of solid imbuia elements, creating a rhythmic interplay of tones ranging from deep chocolate brown to warm amber. This patchwork technique transforms a functional storage piece into a highly graphic object, showcasing the natural variation and expressive grain of the wood while emphasizing the craftsmanship of its construction.
Elegant integrated drawer pulls, tapered legs, and the distinctive architectural side supports give the piece a sculptural presence from every angle, making it particularly well-suited for placement where its profile can be appreciated. Compact in scale yet visually commanding, it functions equally well as a chest of drawers, entry cabinet, bedside chest, or accent piece within both modern and traditional interiors.
An exceptional detail is the preservation of the original manufacturer's label and period tax stamps, still present inside the case. These surviving factory markings provide valuable documentation of the piece's authenticity and provenance, offering a tangible connection to Cimo's production history and the broader story of Brazilian furniture manufacturing during the mid-century period. Such original labels are increasingly uncommon and highly desirable among collectors.
Both functional and collectible, this chest exemplifies the warmth, craftsmanship, and sculptural sophistication that have made Brazilian Modern furniture increasingly sought after by designers and collectors worldwide.






















