Designed by Carlo Hauner in 1950s Brazil, this armchair and matching ottoman embody the warmth and sculptural clarity of Brazilian Modernism. The chair’s gently flared backrest opens into curved hardwood arms, framing a generous upholstered seat. Four slender legs lift the substantial form from the floor, giving it an assured yet visually light presence. The ottoman echoes the chair’s proportions and material language, completing a pairing conceived for comfort.
The set has been newly upholstered in solid taupe chenille. Soft to the touch, with an almost plush quality, the medium-weight fabric lends depth to the broad upholstered surfaces without obscuring the frame’s graceful lines. Its understated color sits naturally alongside the hardwood, allowing the curves, grain, and joinery to remain central to the design. The chair retains its original internal spring system, an element of its period construction that continues to support the seat.
This was a popular design, featured in publications of its time. Its enduring appeal lies in Hauner’s command of proportion: the welcoming scale of the seat, the continuous sweep of the arms, and the delicate stance of the legs all work together. Comfortable as a reading chair and compelling from every angle, the armchair and ottoman bring a distinctive example of 1950s Brazilian design to a living room, library, or home office.