Alexandre Rapoport Brazilian Rosewood Armchair with Ottoman in Burnt Caramel Mohair, Brazil, 1960s - Lot 908

Description

A commanding yet deeply inviting lounge chair and ottoman by Alexandre Rapoport, this set exemplifies the sculptural sensitivity and ergonomic intelligence of Brazilian modernism in the 1960s. Executed in richly toned Brazilian rosewood, the frame is both architectural and fluid—defined by strong vertical supports, subtly angled armrests, and a low, grounded stance that emphasizes comfort without sacrificing visual precision.

Rapoport’s approach here is distinctly sculptural. The arms extend with a gentle forward cant, tapering into refined edges that feel both controlled and organic, while the leg structure—solid yet elegantly proportioned—anchors the piece with quiet authority. The ottoman mirrors this language seamlessly, creating a cohesive extension of the chair’s geometry and reinforcing its intended use as a true lounging system rather than a standalone seat.

The upholstery plays a central role in the piece’s identity. Newly executed in a luxurious burnt caramel mohair velvet, the surface carries a rich, warm tonality—deep amber with subtle copper undertones—that shifts softly with light, enhancing the dimensionality of the form. The finish is a refined satin-matte, avoiding excessive sheen while still capturing the natural luster characteristic of high-quality mohair.

The cushions are notably generous in scale, with wide, open proportions that immediately signal comfort. The seat is deep and expansive, paired with a high, gently winged backrest that cradles the body. This width is not incidental—it is a deliberate design choice that allows for a relaxed, almost enveloping seating experience, uncommon in more rigid mid-century forms.

Tufting is executed with restraint and precision. The backrest features a minimal button arrangement—subtly recessed and evenly spaced—introducing rhythm without interrupting the clean planes of the upholstery. The seat and ottoman follow a similar language, with shallow, controlled tufting that enhances structure while maintaining a soft, plush appearance. Cushion edges are softly rounded, with a tailored finish free of tension, wrinkles, or excess bulk—achieving a balance between generosity and discipline.

The dialogue between material and form is where this piece excels: the depth and movement of the rosewood grain against the warmth and tactility of the mohair creates a layered, sensory experience. It is a piece designed not only to be seen, but to be used—where comfort, craftsmanship, and sculptural presence converge.

A rare and highly livable example of Brazilian modernist seating, ideal for collectors seeking both visual impact and exceptional comfort.