Armchair in Black Hardwood & Chenille, Giuseppe Scapinelli, 1950s - Lot 584

Description

Executed in pau marfim (ivory wood) with an ebony finish, this armchair exemplifies the sculptural refinement characteristic of Brazilian mid-century design. Its silhouette is defined by a gently reclined backrest articulated with five slender vertical rods, a structural motif that introduces rhythm and transparency while reinforcing the frame’s architectural clarity. The rear elevation, in particular, reveals the designer’s attention to proportion and tension—where curved members and linear spindles achieve a measured balance between solidity and lightness.

The frame’s darkened finish emphasizes the natural density and fine grain of pau marfim, allowing the form to read with precision. Subtly tapered legs and continuous arm supports anchor the composition, while the open back creates visual permeability without compromising structural integrity. The chair has been reupholstered in a light gray textile, chosen to complement the depth of the ebony finish while maintaining a restrained, neutral presence.

Comfort is integrated into the design through its angled backrest and generous seat proportions. The upholstery sits cleanly within the wooden frame, reinforcing the dialogue between structure and support rather than obscuring it.

This model has been widely documented in both vintage and contemporary publications, underscoring its enduring relevance within the canon of Brazilian modernism. Lots 198 and 584 represent the same model, differing only in upholstery tone; they may be acquired together, forming a cohesive pair grounded in formal continuity and material integrity.