Designed by Giuseppe Scapinelli (1911–1974), Brazil, mid-twentieth century, this coffee table exemplifies the designer’s sculptural and highly recognizable approach to furniture design. Scapinelli’s work from this period reflects a confident synthesis of European modernist training and the expressive structural experimentation that defined Brazilian modernism in the postwar years. This table stands as a clear articulation of that language.
The composition is defined by a circular glass top that appears suspended above four slender, ebonized legs. Structural clarity is achieved through a series of twelve curved connecting arms that rise from the legs to support the top. Left in a natural wood finish, these elements introduce rhythmic movement and visual tension, creating a deliberate contrast against the darker framework. This interplay between suspension and support is a recurring motif in Scapinelli’s work, lending the table both lightness and architectural presence.
Crafted entirely from pau-marfim (ivorywood), the table demonstrates a refined balance between material integrity and formal expression. The top combines wood and inset glass, allowing the sculptural structure beneath to remain visible while introducing subtle transparency. The piece has been professionally refinished and is presented in excellent vintage condition.
A thoughtfully resolved and increasingly scarce example, this coffee table reflects Scapinelli’s enduring ability to distill structure, material, and form into a highly collectible work of Brazilian modern design.