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Loveseat with Organic Shape in Iron & Faux Leather, 1950s - Lot 671

$4,100
$4,100

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Ships From: New York, NY

Description

This small, curious and fun looking loveseat features a Freijo wood structure, tubular metal legs painted in black and ecological leather upholstery. This type of organic shape was part of the Organic design trend happening in Latin America in the fifties, also followed by known designers like Jose Zanine Caldas and Giuseppe Scapinelli. 

A showstopper not only has awesome design but perfect size for small, medium size apartments as is only 55" long. 

The metal has been repainted in black and the original leather is in fair condition. We offer complementary upholstery with any of our beautiful fabrics. 

Creator

Unknown

Dimensions

Height: 70 cm, 28"

Width: 140 cm, 55"

Depth: 70 cm, 28"

Sold As

Set of 1

Style

Mid-Century Modern (Of the Period)

Materials and Techniques:

Brazilian Rosewood (Jacaranda), Leather, Metal

Woodwork, Upholstery

Condition

Good. The wood structure has been reinforced and the metal painted in black.

The original upholstery is in fair condition.

Place of Origin

Brazil

Date of Manufacture

Circa 1950s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

Unknown

This section focuses on the lesser-known treasures within Brazilian design, which have yet to receive the recognition they deserve from the public. Despite being overshadowed by the iconic designs of Joaquim Tenreiro, Carlo Hauner, Martin Eisler, Jorge Zalszupin and Sergio Rodrigues, these craftsmen and small manufacturers still managed to produce cutting-edge pieces that embodied the "modern values" of form and materiality.

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