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Desk & Chair in Rosewood & Iron, Geraldo de Barros for Unilabor, 1950s - Lot 408

$7,500
$15,000 $7,500
50% off

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Ships From: New York, NY

Description

The desk is crafted from Brazilian rosewood (jacaranda) and iron, featuring a tabletop of Brazilian rosewood supported by a sleek black iron frame. White formica drawers provide convenient storage while complementing the desk's clean lines and rich natural grain. Expertly refinished, the wood is in impeccable condition, highlighting its beauty.

What sets this desk apart is its inclusion of a matching chair, also by Geraldo de Barros, featuring a metal frame and an original white leather seat that has been reupholstered. This pairing is a collector's dream, celebrated in vintage publications showcasing these iconic pieces.

Ideal for any home office, this Brazilian modern desk and chair set seamlessly integrates into mid-century collections and contemporary, eclectic, or modern spaces alike, adding both functionality and timeless style.


Creator

Geraldo de Barros (Designer)

Dimensions

Height: 76 cm (29.9 in)

Width: 110 cm (43 in)

Depth: 53 cm (20.9 in)

Sold As

Set of 2

Style

Mid-Century Modern (Of the Period)

Materials and Techniques:

Brazilian Rosewood (Jacaranda), Iron

Condition

The wood has been refinished and is now in excellent condition. The leather in the chair is new.

Place of Origin

Brazil

Date of Manufacture

Circa 1950s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

Geraldo de Barros

Geraldo de Barros was a key player in Brazil's Modernist movement during the 1950s. Having initially been a painter close to the European avant-garde and the pioneer of abstract photography in Brazil in the 1940s, de Barros moved into furniture design in the early 1950s.

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