SPRING SALE. 25% OFF. 

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Coffee Table by Moveis Bergamo, c. 1950s - Lot 81

$2,250
$3,000 $2,250
25% off

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Ships From: New York, NY

Description

This rare and elegant two tiered coffee table is made with two types of hardwood, ebonized pau marfim or ivorywood (lower tier) and light brown caviuna (legs and upper tier). The wood has a beautiful tone and has been refinished to ensure that it is in excellent condition. The lower level has steel wires and the top level has a removable marble top. The manufacturing seal can be seen on the wooden plank on the inside of the top level. The sleek and stunning design of this coffee table allows for it to be styled in any home interior.

Creator

Moveis Bergamo (Designer)

Dimensions

Height:35 cm (13.78 in)

Width: 75 cm (29.53 in)

Depth: 45 cm (17.72 in)

Sold As

Set of 1

Style

Mid-Century Modern (Of the Period)

Materials and Techniques:

Caviuna Hardwood, Pau Marfim Hardwood, Marble, Steel

Woodwork, Metalwork

Condition

The wood has been refinished and is now in excellent condition

Place of Origin

Brazil

Date of Manufacture

Circa 1950s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

Moveis Bergamo

This section focuses on the lesser-known treasures within Brazilian design, which have yet to receive the recognition they deserve from the public. Despite being overshadowed by the iconic designs of Joaquim Tenreiro, Carlo Hauner, Martin Eisler, Jorge Zalszupin and Sergio Rodrigues, these craftsmen and small manufacturers still managed to produce cutting-edge pieces that embodied the "modern values" of form and materiality.

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