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Armchairs with Organic Shape in Iron by Unknown Designer, 1950s - Lot 677

$7,500
$0 $7,500

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Ships From: New York, NY

Description

This pair of stylish and unique looking armchairs feature a structure made in iron painted in black. While the design is quite striking, resembling a living organism, it also gives the perception of levity and sophistication making the set a great fit for any kind of environment, from mid century to contemporary and eclectic. 

The set has been repainted in black, coated for outdoors and is in great condition.Equally beautiful as comfortable a set like this will be a show stopper for any home. 

This type of “organic” furniture was in fashion in Latin America during the fifties so if you are also looking for furniture that represents a time and place in history, look no further. This is it!

Creator

Unknown

Dimensions

Height: 66 cm, 26"

Width: 94 cm, 37"

Depth: 71 cm, 28"

Sold As

Set of 2

Style

Mid-Century Modern (Of the Period)

Materials and Techniques

Caviuna Hardwood, Leather

Condition

Good. The metal has been repainted and coated.

Place of Origin

Brazil

Date of Manufacture

Circa 1950s

Shipping

Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.

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Ships From: New York, NY

Returns

Return Policy

A return for this item may be initiated within 5 days of delivery.

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Buyer Protection Guaranteed

If the item does not arrive as described or is damaged, we will fix the issue and ensure you’re satisfied with the resolution. Your purchase is not eligible for Buyer Protection if you elected to arrange your own shipping or pick the item up in person.

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About the Designer

Unknown

This section focuses on the lesser-known treasures within Brazilian design, which have yet to receive the recognition they deserve from the public. Despite being overshadowed by the iconic designs of Joaquim Tenreiro, Carlo Hauner, Martin Eisler, Jorge Zalszupin and Sergio Rodrigues, these craftsmen and small manufacturers still managed to produce cutting-edge pieces that embodied the "modern values" of form and materiality.

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